Thursday, March 18, 2010
The Fire Raisers
Hands up those of you who've seen Max Frisch's play from 1953, The Fire Raisers.
The Fire Raisers is a dark comedy originally written in German, set in a town where a gang of arsonists has been at work burning down houses. Biedermann, our respectable protagonist, finds himself with two lodgers on his hands who keep bringing in and storing barrels of flammable liquid, fuses and other combustibles; when he asks them what they're playing at, they cheerfully tell him that they're fire raisers.
Unable or unwilling to believe such a thing, Biedermann nervously tells them to stop joking. No, they say, we really are fire raisers. But Biedermann simply can't accept that this could be happening in his house, or that anybody who was a fire raiser would just tell him so straight out like that, so he laughs it off and lets them have matches and turns a blind eye until the day they finally burn his house down.
Apart from it being a good satirical play, why am I bringing it up?
The reason is this: art very often expresses a political opinion and always expresses a worldview, and there exist artists of notable talent whose political opinions or worldviews seem, if you look at their art works, really unpalatable, even shocking. Does he really think that about women? Are those political views serious, or being sent up? Does she mean that, or is she just testing our reactions? And so on.
Faced with such artists, there's an extremely common critical reaction: critics assume that the artist is, in some way, joking. They're deconstructing the bad old tropes, not endorsing them. They're a prankster who likes to deceive audiences and you shouldn't believe anything you say. They're being ironic.
Are they? Sometimes, perhaps. But having a fine sensibility for art doesn't preclude you from being a jerk, after all; being intelligent about narrative or cinematography or descriptive prose doesn't make you not stupid or wrong about other things. Artists are human beings, not subject to a different law from everyone else, and human beings can have bad attitudes. It may very well be that someone deserves the benefit of the doubt, but the tendency to assume someone must be joking, that they couldn't be serious, has its own risks and blind spots. Some artists put an 'ironic' hat on views they genuinely hold in the hopes that this will get them out of standing to them. Some artists are so convinced that their nasty views are correct that it won't occur to them that any person of good character could object. Some artists have a marvellous time letting all their nasty attitudes run rampant and then stick a moral little platitude or a punitive ending over the surface to imply that they don't really think that way, otherwise known as 'having your cake and eating it.' All artists have to produce what they can and hope for the best. There's such a thing as a bad attitude hiding in plain sight.
So in the lexicon of critical responses, I think it's always worth considering this possibility: it may be that, perhaps, they really are a fire raiser.
July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 March 2007 May 2007 July 2007 October 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 July 2008 August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 August 2010 September 2010 November 2010 January 2011 May 2011 June 2011 November 2011 December 2011 January 2012 February 2012 March 2012 April 2012 May 2012 June 2012 July 2012 August 2012 September 2012 October 2012 November 2012 December 2012 January 2013 March 2013 April 2013 May 2013 June 2013 July 2013 August 2013 September 2013 October 2013 March 2014 October 2021 June 2022