Home The Author The Book Reviews FAQs More Stuff The Other Side


RSS Feed 

Wednesday, May 07, 2008


Dancing and romancing

One reason I love old Hollywood musicals so much is that the dance numbers. Well, really it's the reason, but there's something particular about those dances that you don't see in modern movies so much, even in many modern movie musicals: the restraints of the era, which prevented any serious intimacies between the characters barring the odd stylised clinch, means that the dances take the place of sex scenes. While being completely decorous, they're also completely physical - and in the interactions of the dancers, a wonderful and various chemistry takes place, that expresses a great deal about the burgeoning romances.

Take three particularly fine examples: Fred Astaire and Ginger Rogers in Top Hat, Gene Kelly and Debbie Reynolds in Singin in the Rain, and Judy Garland and Kelly again in Summer Stock.

The chemistry between the actors is completely different. The relaxed, tender naturalness of Kelly and Reynolds is entirely unlike the sparky, spiky playfulness of Astaire and Rogers; Astaire flirts with Rogers, teasing and tapping at her, while Rogers sneaks up to him just as he's sneaking up to her, matching his steps in a sly refusal to be outdone; conversely, the deceptive simplicity of Reynolds' and Kelly's steps, almost like a traditional ballroom waltz in places, is graced by perfect synchrony and a locked, romantic gaze. When Kelly draws Garland out in dance, on the other hand, a different kind of flirtation is taking place, a struggle for propriety on her part combined with a mischievous invitation on his, more engaged than the mischievous showing-off of Astaire that Rogers rises to: Kelly is tempting Garland more than teasing her, and she flares up in self-assertion, only to give way to overjoyed exuberance on her part that leads him almost racing to match her in impressed delight. The Astaire-Rogers and Kelly-Garland dances follow the same basic structure: man begins the dance, woman joins him and matches his steps, and the two end up dancing together, but the knowing, humorous undercurrents of Rogers and Astaire's flirtation are entirely different from the outbursts and reunions of Garland and Kelly's.

I'm having a busy week, so I don't have much more to add, but go look at those clips; they're a real treat...


July 2006   August 2006   September 2006   October 2006   November 2006   December 2006   January 2007   February 2007   March 2007   April 2007   May 2007   June 2007   July 2007   August 2007   September 2007   October 2007   November 2007   December 2007   January 2008   February 2008   March 2008   April 2008   May 2008   June 2008   July 2008   August 2008   September 2008   October 2008   November 2008   December 2008   January 2009   February 2009   March 2009   April 2009   May 2009   June 2009   July 2009   August 2009   September 2009   October 2009   November 2009   December 2009   January 2010   February 2010   March 2010   April 2010   June 2010   July 2010   August 2010   September 2010   October 2010   November 2010   December 2010   January 2011   February 2011   March 2011   April 2011   May 2011   June 2011   July 2011   August 2011   September 2011   October 2011   November 2011   December 2011   January 2012   February 2012   March 2012   April 2012   May 2012   June 2012   July 2012   August 2012   September 2012   October 2012   November 2012   December 2012   January 2013   February 2013   March 2013   April 2013   May 2013   June 2013   July 2013   August 2013   September 2013   October 2013   March 2014  

This page is powered by Blogger. Isn't yours?